Conservatorium of Music
Thursday Concert Class
Thursday Concert Class
| Sonate C Major (K. 309) | Wolfgang Amadeus Mozart (1756 - 1791) |
| 1st Movement - Allegro con spirito | |
| Noreen Suyudy, Piano | |
| 3 Pieces, Op. 2 | Alexander Scriabin (1872 - 1915) |
| Noreen Suyudy, Piano | |
| 7 Fantasien, Op. 116 No. 7 \"Capriccio\" | Johannes Brahms (1833 - 1897) |
| Noreen Suyudy, Piano | |
| 3 Pieces, Op. 2 | Alexander Scriabin (1872 - 1915) |
| Noreen Suyudy, Piano | |
| Sonata in No.31 in A flat Major, Op.110 | Ludwig Van Beethoven (1770 - 1827) |
| I. Moderato cantabile molto espressivo | |
| Chris Wang, Piano | |
| Sonata in B minor, Op.58 No.3 | Fryderyk Chopin (1810 - 1849) |
| I. Allegro maestoso\\r\\nIV Finale: Presto non tanto | |
| Chris Wang, Piano | |
| Etude Op.10, No. 4 | Frédéric Chopin (1810 - 1849) |
| Chutong Yi, piano | |
| Andante Spianato et Grande Polonaise brillant, Op.22 | Frédéric Chopin (1810 - 1849) |
| Chutong Yi, piano | |
| Impressoes Seresteiras | Heitor Villalobos (1887 - 1959) |
| 1 | |
| Ricardo Roche Idini, Piano | |
| Impressoes seresteiras, or the impressions of a serenade musician is the second work of the set called Ciclo brasileiro or Brazilian Cycle composed by Heitor Villalobos in 1936 when he was in Rio do Janeiro. | |
| Keyboard Sonata in A Major, H.186 | Bach, C.P.E. (1714 - 1788) |
| I. Allegro Assai II. Poco Adagio III. Allegro | |
| Samuel Hill, Piano | |
| The first and third movements of this sonata are both bright and energetic, but the first movement offers more typically “classical” homophonic textures, whereas the third movement resembles a gigue. As with many of C.P.E. Bach’s sonatas, the second movement is an example of the "empfindsamkeit" (sentimental) style for which he is best known. | |