Conservatorium of Music
Thursday Concert Class
Thursday Concert Class
| Title | Composer | Mins | Start |
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Scherzo in C sharp minor, Op.39 No.3 | Fryderyk Chopin (1810 - 1849) | 18 | 11:10 |
| Chris Wang, Piano | |||
| Ballade in F minor, Op.52 No.4 | Fryderyk Chopin (1810 - 1849) | ||
| Chris Wang, Piano | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Ballade no 2 in F Major | Frederic Chopin (1810 - 1849) | 16 | 11:30 |
| Catherine Zhu, Piano | |||
| This ballade was dedicated to Robert Schumann | |||
| Nocturne op 48 no 2 in F sharp minor | Frederic Chopin (1810 - 1849) | ||
| Catherine Zhu, Piano | |||
| The work begins with a melancholy outer theme but soon travels to a more calm and soothing character. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Sonata No.2 in B-flat Minor, Op. 35 | Frederic Chopin (1810 - 1849) | 20 | 11:48 |
| i - Grave, Doppio movimento\\r\\nii - Scherzo\\r\\niii - Marche funébre\\r\\niv - Finale - presto | |||
| Davie Meng Xia, Piano | |||
| Chopin's second sonata - is consisted of 4 movements, including its famous funeral march. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Ballade No. 4 Op. 52 | Frederic Chopin (1810 - 1849) | 17 | 12:10 |
| Timothy Kan, Piano | |||
| Written in 1842, this ballade is commonly considered one of Chopin's masterpieces, and one of the masterpieces of 19th-century piano music. Chopin wrote a total of 4 ballades, and he was one of the first to compose and experiment with the Ballade form. His ballades turned out to be so popular and successful that other composers such as Liszt and Brahms also produced Ballades after him. This ballade is a hybrid of sonata form and variations. More distinctly, it is characterized by its narrative and story-telling nature. | |||
| Nocturne in Bb Major Op. 55 No. 2 | Frederic Chopin (1810 - 1849) | ||
| Timothy Kan, Piano | |||
| Written between 1842 and 1844, this nocturne has a simple and beautiful melody. Chopin dedicated the Op. 55 to his pupil and admirer Mademoiselle Jane Stirling. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Scherzo 4 | Frederic Chopin (1810 - 1849) | 16 | 12:29 |
| Rachel Shindang, Piano | |||
| Chopin’s Scherzo no 4 | |||
| Nocturne op 62 no 1 | Frederic Chopin (1810 - 1849) | ||
| Rachel Shindang, Piano | |||
| Chopin’s Nocturne op. 62, no 1. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Danza do indio branco | Heitor Villalobos (1887 - 1959) | 3 | 12:47 |
| 4th movement | |||
| Ricardo Roche Idini, Piano | |||
| 4th movement from the ciclo brasileiro | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Ballade Op.10 No.1 | Johannes Brahms (1833 - 1897) | 4 | 12:52 |
| Elliott Keeling-Mayer, Piano | |||
| The first of Brahms' four Ballades is based on a Scottish poem entitled 'Edward'. | |||