Conservatorium of Music
Thursday Concert Class
Thursday Concert Class
| Title | Composer | Mins | Start |
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Piano Concerto No. 2 in D minor Op. 40 | Jakob Ludwig Felix Mendelssohn-Bartholdy (1809 - 1847) | 17 | 11:10 |
| I. Allegro appassionato II. Adagio | |||
| Samuel Lee, Piano | |||
| It was written in 1837 for the Birmingham festival. | |||
| 1 piano(s) needed with lid(s) full stick. 1 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Etude Op.10 No. 8 | Frédéric Chopin (1810 - 1849) | 9 | 11:29 |
| Charlotte Roberts, Piano | |||
| One of Chopin's Etudes for piano | |||
| Un Sospiro | Franz Liszt (1811 - 1886) | ||
| Charlotte Roberts, Piano | |||
| One of Liszt's 3 Etudes de Concert for piano | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Sonata in G Major K.260 | Giuseppe Domenico Scarlatti (1685 - 1757) | 8 | 11:40 |
| Christina Wong, Piano | |||
| Of Scarlatti’s 555 sonatas, about 10 are for violin and continuo, 3 are specifically for organ, and the rest are for harpsichord. | |||
| Etude Op.25 No.12 (Ocean) | Frédéric François Chopin (1810 - 1849) | ||
| Christina Wong, Piano | |||
| Etude No.12 from Chopin's Op.25 collection was the last of his formal studies for the piano. The set is dedicated to À Madame la Comtesse d’Agoult and was first published in 1837. The collection was published in a range of different languages including German, English and the original French transcription. This last Etude is nicknamed ‘Ocean’ due to the rolling semiquaver patterns heard throughout. | |||
| 0 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Blue Moon | Ella Fitzgerald (1917 - 1996) | 1 | 11:50 |
| Arranged by Tommy Emmanuel | |||
| Brian Dela Rosa, Guitar | |||
| Fingerstyle guitar arrangement by Tommy Emmanuel of a jazz classic, designed to present multiple musical lines on a single guitar, including melody, rhythm, bass and percussion. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Prelude and Fugue no. 12 in F minor BWV 857 | J. S. Bach (1685 - 1750) | 12 | 11:53 |
| Sean Neylan, Piano | |||
| From the Well-Tempered Clavier, Book 1. | |||
| Etude Op. 10 no. 1 | Frederic Chopin (1810 - 1849) | ||
| Sean Neylan, Piano | |||
| 'Waterfall' | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Etude-Tableaux in D minor Op. 33 no. 5 | Sergei Rachmaninoff (1873 - 1943) | 1 | 12:07 |
| Sean Neylan, Piano | |||
| Moderato | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Felicidade | Antônio Carlos Jobim (1927 - 1994) | 4 | 12:10 |
| Arranged by Roland Dyens | |||
| Carlen Gong, Classical Guitar | |||
| \\\"A felicidade\\\" (\\\"Happiness\\\") is a bossa nova song by Antônio Carlos Jobim, arranged for the classical guitar by Roland Dyens | |||
| 2 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Vocalise | Sergei Rachmaninoff (1873 - 1943) | 6 | 12:16 |
| Shujie Fu, piano | |||
| Qihan Sun Piano | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Etude-Tableaux in G Minor, Op. 33 No. 7 | Sergei Rachmaninoff (1873 - 1943) | 4 | 12:24 |
| Jonathan Mouskis-Morrison, Piano | |||
| The Études-Tableaux ("study pictures"), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let [the listener] paint for themselves what it most suggests." | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Petrarch Sonnets | Franz Liszt (1811 - 1886) | 10 | 12:30 |
| 47 | |||
| Yvonne LIU, Piano | |||
| The first of the three Petrarch sonnets, Sonetto 47, overflows in expressions of love at first sight. “Blessed is the day, the month, the year, the season, the hour, the moment,†exclaims the poet in recollecting the moment he met his beloved. However, the sonnet is tingled ever so slightly with sadness. The poet confesses his longing and that his love has only found an outlet in his writings which “have spread her frame.†| |||
| Piano Sonata No.23, Op.57 in F minor | Ludwig van Beethoven (1770 - 1827) | ||
| 3rd Movement | |||
| Yvonne LIU, Piano | |||
| It was composed during 1804 and 1806, and was dedicated to Count Franz von Brunswick. | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Study No.I For Turibio Santos | Radames Gnattali (1906 - 1988) | 4 | 12:42 |
| maxim parritt, guitar | |||
| Rio de Janeiro | |||
| Sor BulerÃa | MoraÃto Chico (1956 - 2011) | ||
| maxim parritt, guitar | |||
| bulerias de jerez | |||
| 1 piano(s) needed with lid(s) full stick. 0 chairs needed for page turners. Stands Needed: 0. Chairs Needed: 0. | |||
| Etude Tableau Op.39 No.6 | Sergei Rachmaninoff (1873 - 1943) | 5 | 12:48 |
| Yizhu Chen, piano | |||
| Ile de Feu 1 | Olivier Messiaen (1908 - 1992) | ||
| Yizhu Chen, piano | |||