Title | Composer | Mins | Start |
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Trumpet Concerto | Alexander Arutunian (1920 - 2012) | 6 | 11:10 |
Flynn Seward, Trumpet | |||
Konrad Olszewski, piano | |||
Trumpet Concerto by Alexander Arutunian was composed in 1950 and first recorded by Timofei Dokschitzer. | |||
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Deux Poèmes, op. 32 | Alexander Scriabin (1872 - 1915) | 5 | 11:18 |
Alicia Elsom, Piano | |||
Alexander Scriabin’s Poeme, Op. 32, No. 2 in D was composed in 1903 at the beginning of his middle period. Poeme No. 2 stands in striking contrast to the lyrical Poeme No. 1. It is stormy and declamatory, yet has incredible moments of ultra-romantic writing and features rich harmonies. | |||
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Scheherezade Op. 35 | Nikolai Rimsky-Korsakov (1844 - 1908) | 8 | 11:25 |
Ken Tang, Trombone | |||
Orchestral Excerpt | |||
Lohengrin WWV 75 | Richard Wagner (1813 - 1883) | ||
Prelude to Act III | |||
Ken Tang, Trombone | |||
Orchestral Excerpt | |||
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Sonata in C minor, k.457 | Wolfgang Amadeus Mozart (1756 - 1791) | 20 | 11:35 |
Anna Gao, Piano | |||
Completed in 1784 and published in 1785 together with the Fantasy in C minor, k. 475. | |||
Etude op. 25 no. 4 | Fryderyk Chopin (1810 - 1849) | ||
Anna Gao, Piano | |||
The technique explored in this piece is the performance of off-beat staccato chords set against a regular on-beat bass. | |||
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Études-Tableaux, Op. 33 | Sergei Rachmaninoff (1873 - 1943) | 5 | 11:57 |
Grave in C minor - No 3 | |||
Phillip Lin, Piano | |||
One of the etudes in Rachmaninoff\\\'s Opus 33 set of the Études-Tableaux, which are intended to be \\\"picture pieces\\\" through musical evocations of external visual stimuli. This etude has dramatic voicing, through the melody and harmony, which eventually was re-used in the Largo of Rachmaninov\\\'s Fourth Concerto. | |||
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The Hollow Men | Vincent Persichetti (1915 - 1987) | 8 | 12:04 |
James O\'Hehir, Trumpet | |||
The Hollow Men was inspired and based on the poem of the same name written by American poet T.S. Elliot and published in 1925. The poem describes a post-war world populated by empty, defeated people lacking spiritual fulfilment and leading futile lives. Persichetti’s composition depicts the emptiness of those returning from the horrors of war through a lack of tonal centre in the music, the wide-open intervals and the diverse use of dynamics. This creates a sense of despair, sorrow and desolation as evident in the poem. | |||
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Etude, Op. 15 No. 8 | Bortkiewicz, Sergei (1877 - 1952) | 11 | 12:14 |
Samuel Hill, Piano | |||
Marked "Lamentoso con gran espressione" | |||
Piano Sonata in A Major, Op. 2 No. 2 | Beethoven, Ludwig van (1770 - 1827) | ||
I. Allegro Vivace | |||
Samuel Hill, Piano | |||
The op. 2 set was dedicated to Joseph Haydn. | |||
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å®å³¶ | Takarajima (lit. Treasure Island) | 和泉å®éš† | Izumi Hirotaka (1958 - 2021) | 6 | 12:27 |
Arranged by Jay Brendan Del Rosario | |||
Jay Brendan Del Rosario, Piano | |||
A simple and clear jazz ballad, Takarajima is a Japanese jazz work composed by keyboardist Izumi Hirotaka. It was first released on the album "S.P.O.R.T.S.", where it was played by 5-piece jazz fusion band, T-SQUARE. This rendition in 6/8 appears as the last track of the album "Wide & Full", where Izumi plays alongside bassist Sutoh Mitsuru. The work has also seen popularity as a concert band work, with an arrangement by Mashima Toshio being commonly performed by high school and professional wind ensembles. | |||
æœã”飯ã®æŒ | Asagohan no Uta (lit. Breakfast Song | æ¦éƒ¨ è¡å¿— | Takabe Satoshi (1957 - ) | ||
Arranged by Jay Brendan Del Rosario | |||
Jay Brendan Del Rosario, Piano | |||
The opening track to the Studio Ghibli animated movie "From Up on Poppy Hill". It's an upbeat and energetic work, reflective of a pleasantly warm morning. Originally performed by a jazz trio with a vocalist, this arrangement aims to capture the playful and jumpy melodic line accompanied by a steady backbeat. | |||